Prince Edward Island with the X100T

I went a little mad before leaving for our summer vacation this year and bought a Fujifilm X100T. I liked the idea of having a very compact camera I could carry everywhere and that was capable of producing excellent images. I still love my X-E1 and suite of lenses but, as light as they are, there are times when I'd like to walk around with even less.

I was also secretly looking forward to the discipline of using nothing but the X100T's fixed 23mm lens. I have a (bad?) habit of changing lenses fairly often when I'm out with my camera, depending on the effect that I'm after. After being made aware of this by another photographer I began to wonder if all that lens-changing might be a distraction from concentrating on the subject, rather than on the equipment. But would I be up to the task of working with just one optic? (Yes, I could have accomplished the same thing by using my X-E1 with one lens but I was dying to get my hands on the beautiful X100T. There, I've said it.)

It was time to find out. I forked over the money at the store I patronize and told myself I had 15 days to return the camera if buyer's remorse set in. I packed both cameras, just in case, and set out with the family.

And I needn't have worried. During the week we spent on beautiful Prince Edward Island on Canada's Atlantic coast I never felt the need to reach for the X-E1 and lenses. Oh sure, there were times when I would have liked to go wide with my 14mm or long with the 55-200mm zoom, but I never felt that I was missing a crucial element for a shot. Instead, I re-learned to "zoom with my feet" and became very familiar with a particular angle of view. In many ways, the simplified approach turned out to be freeing, not limiting.

And the buyer's remorse? No sign of it.



Imagine globally... shoot locally

I sometimes have a hard time finding subjects to photograph close to home. I hear it's fairly common, though: it's easy to get inspired on holiday when every corner brings new sights and fresh experiences. Who doesn't come home without a ton of images to process or get developed?

After the holiday, it can be a different story. You've seen all the local "sights," such as they are, a hundred times or more and they just don't excite your imagination. Over time your little neighbourhood or town can seem a bit dull.

So, what's to be done? After all, we can't all live in the visual smorgasbords of London, Paris or New York. (And perhaps Londoners, Parisians and New Yorkers get bored, too.)

This year, my response will be to discipline my imagination. If William Eggleston could spend a large chunk of his career documenting the everyday in Memphis, I should be able to find interesting subjects in Canada's National Capital Region.

And if I can't find them, I'll make them up. And if there are people nearby, I'll shoot portraits. If there is scenery nearby, I'll shoot landscapes. If there is an event or festival nearby, I'll shoot crowds and movement and noise. If there is colour, texture or pattern nearby, I'll shoot that. If the weather is lousy, I'll shoot atmosphere and mood. And if what's in front of me is common and mundane, I'll shoot it like a tourist. If there's nothing in front of me, I'll dream something up.

After all, the things that catch my attention when I'm on holiday are always part of someone else's daily routine. The boulangerie that attracted me in Lagnieu, France is just the place where the locals buy their bread -- the only thing out of the ordinary was my state of mind. So my motto for this year will be: imagine globally... shoot locally!

In that spirit, I offer this selection of images that I took in our town while scouting out locations for the recent Scott Kelby Worldwide Photowalk. I've brought my imagination back from holiday and will apply it in new ways here at home.

Let me know if you decide to do the same.

Monochrome marina

Monochrome marina

Too long in the tub

Too long in the tub

Symmes Inn

Symmes Inn

Picket line

Picket line

Cenotaph

Cenotaph

Elephant tracks

Elephant tracks